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So you want my arts job: V&A Chief Curator Wedgwood Collection
Charged with looking after one of the world's most famous collections, curator Catrin Jones talks about her job ahead of…
Hilma af Klint: should art be for the public, despite the artist’s wishes?
A disparate voice from the Hilma af Klint Foundation hopes to fulfil the artist's legacy by making her work available…
Bali’s first international art fair strives to shake up the model in 2025
Art & Bali launches this September and ArtsHub speaks with Fair Director Kelsang Dolma on what to expect.
Australian Pavilion may be empty at Venice 2026; no resignations forthcoming
CEO Adrian Collette and Board Chair Robert Morgan will not be resigning, despite the damage caused by Creative Australia’s abrupt…
Resignations and uproar follow Creative Australia’s Venice Biennale decision
Within hours of announcing its controversial decision, Creative Australia faced multiple high-level resignations and widespread industry backlash.
Is it important to read the explanatory labels next to artworks? We asked 5 experts
Five experts offer five reasons to – or not to – read the wall labels to understand the art.
Operating across borders: one gallery, three countries
Continuing to expand, Ames Yavuz prepares to open a London gallery, and announces its 2025 program.
I’m an artist, I don’t need to do workshops. Wrong.
Professional workshops can bolster your studio practice in surprising ways.
So you want my arts job: Mount Maker
Christian Bishop explains how mount making is not just about functionality, but crafting solutions that elevate a viewer’s experience.
Over 100 manuscripts from the British Library and National Portrait Gallery head to Australia
HOTA's exhibition will feature rare manuscripts, first editions and portraits of literary luminaries, including William Shakespeare, Jane Austen and the…
