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Multi screen video installation in black and white of woman looking at African objects. Isaac Julien.
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Exhibition review: Isaac Julien, Once Again… (Statues Never Die)

A spectacular exhibition asks the big questions about how museums collect, and show, artworks with Black histories.

A landscape scene, 'The Hay Wain' by John Constable, featuring a wagon in shallow waters near a cottage on the left.
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Exhibition review: Discover Constable and The Hay Wain, National Gallery, London

Take a closer look at one of the most quintessentially English paintings.

A colourful illustration of everyday objects including a globe, books and lamps.
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Exhibition review: Michael Craig-Martin, Royal Academy of Arts, London

So much to see in this vivid retrospective of a colourful career.

A painting in shades of blue, white and green of olive groves by Vincent Van Gogh.
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Exhibition review: Van Gogh: Poets and Lovers, National Gallery, London

A once-in-a-lifetime opportunity to explore the luminous world of Vincent Van Gogh.

man and woman in gallery exhibiting Egyptian artefacts. Pharaoh.
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Exhibition review: Pharaoh, British Museum at NGV International

This is an exhibition that demonstrates how we can shift up and still surprise – and how we can show…

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Exhibition Review: NGV Triennial, NGV International

A wonderful and immersive experience, the Triennial takes the visitor on a long and circuitous journey through time and space.

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Visual Art Festival Review: Plein Air Down Under, WA

An outstanding outdoor painting festival, notable for its unique take on one of the largest movements in art history.

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Review: Marking Time, NGV Virtual Tours

Marking Time presents a multifaceted digital exhibition that explores a diverse range of Indigenous artworks from the NGV collection.

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Review: 2020 Biennale of Sydney (NSW)

Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate…

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Review: Monster Theatres – 2020 Adelaide Biennial, Art Gallery of SA

This is a brave exhibition on many levels. It feels like a slow dance between veiled narratives and the raw…

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