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Taking tea with an opera villain – Scott Wilde
The multi-talented and highly experienced bass may look formidable, but prefers to keep all the drama on the stage...
Music theatre review: Sweeney Todd, Komische Oper Berlin, Schiller Theatre Berlin
Stephen Sondheim’s dark and juicy tale of dastardly baking and tragedy is relished by director Barrie Kosky.
Opera review: The Marriage of Figaro, London Coliseum
The English National Opera sets Mozart’s classic opera buffa in a stark white box.
Opera review: La rondine, London Symphony Orchestra, Barbican Centre
Sensuous singing illuminates Puccini’s lesser-known and less flamboyant operetta.
Opera review: The Pirates of Penzance, London Coliseum
'Take heart, fair days will shine' in this feel-good operetta.
Opera review: M. Butterfly, The Barbican
The UK premiere performance of Huang Ruo’s modern opera receives a mixed reception.
Opera review: La bohème, London Coliseum
Jonathan Miller's acclaimed production of Puccini’s much loved opera returns to mark the centenary of the composer's death.
So you want my arts job: Chorus Master
Paul Fitzsimon has been Opera Australia’s Chorus Master since 2019. Here, he shares the secrets of his trade.
