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How I got my break as a curator

The curatorial profession is specialised and competitive. Six curators tell us how they got their career break.

image of a worn pressure release value. Wellbeing.
Features

5 tips to alleviate the stress of preparing an exhibition

ArtsHub looks at the five top pressure points when preparing for a gallery exhibition, and how to hit the release…

white robotic art against black backgrounds. Future arts jobs.
Features

My arts job in 2030

Have you hedged your bets correctly? Does your job have a future – or a different future? ArtsHub takes a…

Left: Lavinia Fontana, ‘Mystic marriage of Saint Catherine’, 1574-77 oil on copper. NGV, Felton Bequest, 2021. Image: Supplied. Right: Artemisia Gentileschi, ‘Lucretia’, c.1630-35 oil on canvas. Private collection. Image: Supplied.
Features

Do you know the first female professional artists in Western history?

Lavinia Fontana, Sofonisba Aguissola and Artemisia Gentileschi sustained rewarding artistic practices with an entrepreneurial mindset.

Features

Postcard from Hong Kong

Your cultural guide to Hong Kong with art hubs that offer respite from the busy city filled with creativity from…

Features

Artists highlight the heightening issue of homelessness among women

Artists bring home the plight of older Australian women amid the housing crisis.

Features

New trends in visible storage in museums

What exactly is ‘visible storage’ in today’s museum environment of greater accessibility, and how is it changing how museums are…

Career Advice

Essentials of opening an ARI

Opening an ARI can be a challenging, but rewarding process. Here are some pointers to set you on the right…

Features

Voices of resistance: Iranian artists using art to amplify calls for freedom

As protests for women’s freedom in Iran enter the seventh month, Iranian artists around the world continue to support the…

people reading the wall labels in an art gallery
Features

Gallery wall labels: short, long, digital or none at all?

ArtsHub takes a look at the shifting dynamic around gallery didactics: what has changed, and are we doing wall labels…

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