Photo competitions: 7 expert tips to stand out

ArtsHub summarises seven tips offered by the Head On Foundation to help photographers stand out in a competition.
‘Garage Doors’ by Ruth Woodrow, finalist of 2023 Head On Photo Awards, Landscape Category. A collaged photo of different colourful garage doors arranged in a rainbow spectrum.

The Head On Foundation recently delivered an online workshop offering tips to impress judges at photography competitions and the session included suggestions ranging from what to look for in a prize to reasons to enter. The Foundation delivers an international festival and annual photography awards staged Australia.

In this article, ArtsHub summarises seven key takeaways from Head On Founder and Creative Director, Moshe Rosenzveig OAM on how to stand out in photo contests and maximise your chance of winning a prize.

Respond to competition theme and style

Photo competitions usually have multiple categories themed by the subject of the photograph, such as portrait, landscape etc. Make sure you are responding to that theme.

However, some competitions and judges may accept a wider definition than others. For Head On, judges have previously accepted a photograph entered into the Portrait category without any people in view. Jasmin Poole’s Goodbye Grandpa presents an empty bed where her grandfather spent the last moments of his life.

Rosenzveig says, ‘What we are looking for is the essence of a person out of that picture.’

Looking at past exhibitions will give entrants a good idea of what is accepted.

Showcase your vision

Just like any other field, trends come and go in photography, but what’s more important is your individual vision. Don’t try to latch onto what’s hot and, instead, think about what makes you different and unique.

Tell stories

This can be done not only with the photograph itself, but through the clever use of titles, just like Poole’s image.

However, balance is important. Storytelling is not about giving everything away, but just enough so the viewer can conjure the rest of that story in their minds.

Read: 5 tips to maximise your chances of being a guest at writers’ festivals

Be bold

Rosenzveig advises that photo competitions are a perfect opportunity to be bold and ‘do some crazy things’ like using double exposure or recreating realities.

’Whatever it is, just go for it; don’t do the usual stuff,’ he says.

Being bold is what will help your image of a mountain or a river stand out against the countless others.

Don’t use clichés

Adding to the advice to be bold, Rosenzveig is strongly against the use of clichés such as submitting a photo of a common landmark without any sort of creative reimagining.

Clichéd photos are the kinds you’ll find in stock images – standard, but not spectacular and certainly with a very low chance of catching the judges’ attention in a competition.

Don’t just strive for technical perfection

For Rosenzveig, technical perfection, such as sharpness and exposure, is less important than the atmosphere of an image. He explains, ‘It’s about catching the moment and the feeling of what it was like. The pictures should be of good quality, but they don’t have to be absolutely perfect.’

Use a good title and caption

It’s OK to use Untitled for a photograph, but if you decide to title your work, it should seek to expand on the imagery, rather than offer an explanation.

Captions can offer more context around the subject or situation when the photograph was taken, but ‘remember judges don’t have much time to read,’ says Rosenzveig. ‘Don’t describe what’s in the picture, but write something that complements it.’

Even when you’re put against a panel of expert judges, avoiding art jargon and overcomplicating an idea will make life easier for everyone.

The full recording of the Head On’s ‘Tips for photo contests’ online workshop is available on its website.

Entries for Head On Photo Awards 2024 are now open and close 18 August. It is an international call out for entries.

Celina Lei is the Diversity and Inclusion Editor at ArtsHub. She acquired her M.A in Art, Law and Business in New York with a B.A. in Art History and Philosophy from the University of Melbourne. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Most recently, Celina was one of three Australian participants in DFAT’s the Future of Leadership program. Celina is based in Naarm/Melbourne. Instagram @lleizy_