Making the arts accessible for everyone

When we are all given the right to create and partake in the artistic experience, who knows what we could come up with? Think about it: if it’s possible to paint without eyes – dance without legs, and dance to music that you can’t hear, what else is possible? What could we do? What couldn’t we do? Jesse Errey takes a trip through art without exclusion.
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Disabled artists have resuscitated the principles of an almost-forgotten socio-political art movement in a bid for visibility within the occasionally elitist art world. You didn’t know it, but Dada is alive and well and based in South East England.

Dada, or Dadaism, was originally a loose, collectivised counterculture of “anti-art” actions and aesthetics of the 1910s and 20s, which pitted itself against the exclusive and bourgeois art establishment. The Dada of the South East, on the other hand, is a pioneering organisation with a vision and a mission, not to mention a killer acronym. The Disability Arts Development Agency cites part of the original Dada manifesto on their website as a call to arms, as a statement, and as an expression of their strategy:

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Jesse Errey
About the Author
Jesse Errey is a singer and freelance writer who has lived and worked in the UK and the Netherlands. She is a graduate in physical theatre and modern mime from Theaterschool, Amsterdam, and has a Diploma in Fine Art from Gerrit Rietveld Academie, Amsterdam.