Getting Perspective from A Bird’s Eye View

Bird's Eye View is a film festival dedicated showcasing the very best work from women filmmakers across the globe. You might think that showcasing women artists is no longer necessary - but you'd be wrong. Annie Fergusson looks at the pressing evidence as to why we still need it, and what's in store for the 3rd year of this innovative festival.
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Films and females come together this week at the Bird’s Eye View (BEV) festival. The result is a sum greater than it’s parts, kicking off on the day recognised across the world as International Women’s Day, 8 March 2007. Host venues are the Institute of Contemporary Arts (ICA), the National Film Theatre (NFT) and the Barbican, with smaller events happening at the Everyman Cinema and Cine Lumiere in London. The focus of the festival is as diverse and entertaining as Britney Spear’s hairstyles – including music videos, short films, features, documentaries, silent films with live music, bring-a-baby screenings, workshops or other feel-good and screen-related gatherings. The growth of the festival this year is enriched with the collaboration of Action-aid, and their cutting-edge films from female directors in developing countries.

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Annie Fergusson
About the Author
Annie is a freelance writer based in London. She writes on progressive cinema, documentary and conscious media forms emerging from this most curious of species - the human race. She has completed postgraduate studies in linguistics, journalism and documentary. Annie has worked in Arnhem Land, Spain, Germany and Holland. She will probably be working for a long time yet.