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Features

Career Profile: Maggie Tran, artist

Jesse Errey speaks to Maggie Tran who is a British artist whose work is informed both by her Vietnamese, Chinese…

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REVIEW: The Enchantment, the National Theatre

David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…

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Features

Satisfying compromise

The problem with art is that it costs money to produce. The problem with artists is that they need to…

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News

Fèis Gleann Albainn

While the eyes of the world are focused on Scotland’s capital for the annual ‘gallon in a pint pot’ International…

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Features

Career Profile: Nathan Menglef, artist

Nathan Menglef is a self-taught painter, zinester, illustrator, gutter punk and linux geek, originally from Florida but now living, working…

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Features

Going green

This year environmental sustainability has become 'de rigueur' in the arts. What are some of the green initiatives that have…

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Dull, delightful, dazzling: Edinburgh Art Festival

Gordon Haynes takes in three city centre exhibitions as part of the Edinburgh Art Festival and finds them "Dull, delightful…

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Features

Career Profile: Martin Ritchie, actor

Martin Ritchie has performed in a number of titles at London's Globe, alongside various other film and theatre projects, and…

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Opinions & Analysis

Discovering poetry acorns

In her first column on the arts in Scotland, Rachel Chown looks at the Poetry Library and two poetry events…

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Features

How to catch a shark, part one: Whose copyright is it anyway?

When Damien Hirst unveiled his diamond-encrusted skull, hands up all those who thought he’d sat up all night sticking the…

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