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THEATRE REVIEW: August: Osage County, National Theatre

Tracy Letts’ masterpiece comes in at almost 4 hours and it is hard to see how it could be made…

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MUSIC REVIEW: Simon Rattle, Orchestra of the Age of Enlightenment

It may seem a conflict of interests to denote historically authentic performance as groundbreaking and openminded, until you've been spun…

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Opinions & Analysis

Publishing the credit crunch

Super Thursday, which saw the publication of 800 books on one day in the race to reach the Christmas top…

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Features

Freedom to Freelance: creative independence

In the creative industries, freelancing is far from rare, but before you take that first step, there’s a whole host…

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THEATRE REVIEW: Zero, Theatre Absolute

Zero is the story of one of hundreds of interrogation camps set up twenty years from now to extract information…

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Features

Stop Me If You've Heard This

Jim Holt, author of Stop Me If You’ve Heard This explains where jokes come from, whilst sharing a few of…

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PERFORMANCE REVIEW: Apples & Snakes, Soho Theatre

Fast becoming one of London’s most exciting literary groups, Apples & Snakes is pushing the boundaries in poetry and spoken…

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Features

Career Profile: Lucy Gough, playwright

Lucy has written for theatre and radio for over 15 years, writing for Hollyoaks for 10 years alongside this.

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Features

Theatre Cuts

If the Council decides to make dramatic cuts, projects and shows put on by institutes such as the Bristol Old…

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THEATRE REVIEW: Delirium, Theatre O at the Barbican Pit

I do not know whether Enda Walsh is a dab hand in the kitchen but he’s introduced more than a…

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