Writing and Publishing
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Carly Findlay on centring disability in our latest podcast
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
The 4 Rs: Exploring trauma-responsivity and self-care
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
When do you have enough material to start writing your book?
The leap of faith from a shorter work to a full-length book comes with many potential pitfalls including procrastination and…
How to embrace criticism when your ideas are unconventional
Persevering through rejection and criticism are vital for successful artists but they are even more important when your ideas are…
Just say hello! Real-world networking revisited
As we emerge from our COVID-induced hibernation, it’s time to embrace some old-school networking in the real world. Here are…
So you want my arts job? Over 20 careers to consider in 2021
From sound designers and circus riggers to artistic directors and general managers, this popular series looks at a range of…