Writing and Publishing
How to create a Disability and Inclusion Action Plan
Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
Introducing more diverse arts writers
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Carly Findlay on centring disability in our latest podcast
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
The 4 Rs: Exploring trauma-responsivity and self-care
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
When do you have enough material to start writing your book?
The leap of faith from a shorter work to a full-length book comes with many potential pitfalls including procrastination and…