Writing and Publishing
Landing in lockdown: how immigration drives artistic adaptation
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the…
Alarming report results as artist residencies buckle under COVID pressures
A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists…
How to create a Disability and Inclusion Action Plan
Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
Introducing more diverse arts writers
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Carly Findlay on centring disability in our latest podcast
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…