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Review: Daniel Buren: Like Child’s Play, Carriageworks

Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.

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Review: ENOUGH خلص KHALAS, UNSW Galleries

This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian…

Features

Why museum tours don’t have to be boring

Museum Hack founder Nick Gray, turned the "museum tour" on its head at the Creative State Summit, offering new ways…

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Funds confirmed for Bundanon Trust to build Boyd gallery

The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale…

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Barcelona based architect reveals 2018 MPavilion commission

Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is…

Features

Price first, design later - how the arts can learn from IKEA

Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the…

Features

Spencer Tunick on lending his signature aesthetic to global activism

ArtsHub speaks to New York-based photographer and installation artist Spencer Tunick about global activism and what it's like to direct…

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NGA acquires immersive Kusama installation

The people-pleasing dot installations of Japanese artists Yayoi Yusama are sure to drive crowds to Canberra, thanks to a major…

Features

Brook Andrew named as Biennale of Sydney’s next Artistic Director

ArtsHub sat down with Brook Andrew on the eve of his Biennale appointment, and discovered what he meant when he…

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From New York to New Zealand – how a coup is changing a gallery

ArtsHub speaks with Neal Stimler, The Met’s Public Engagement guru who is changing the face of the Auckland Art Gallery,…

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