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Coming into the spotlight

Patricia Fleming, curator for Wales' contribution to the Venice Biennale, is ecstatic. The closest she comes to hesitation is an…

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How sophisticated are you?

Controversial London-based art critic, Brian Sewell, recently expressed outrage that an exhibition of works by European post-War artists group, Cobra,…

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Footing the bill

The bill regarding the licensing of public live entertainment in England and Wales, currently in the Lords committee stages, has…

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TAG plays with fire

A collaborative initiative in Glasgow, between children's theatre company, TAG, the Glasgow City Council and the Glasgow Anti-Racism Alliance (GARA),…

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Taking it to the streets

For a small-scale touring company, Pursued by a Bear does an awful lot. From employing a company writer, to working…

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Spymonkey farewell UK

Brighton-based comedy theatre company, Spymonkey, are set to sign a contract with Cirque du Soleil for a two-year stint in…

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Purely planktonic

When Sarah Parker-Eaton and Louise Hibbert stumbled across each other's work four years ago, they instantly recognised their designs were…

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Getting sticky in Sydney

Phelim McDermott, one of the directors of UK's Improbable Theatre, is currently at the iconic Sydney Opera House, co-ordinating workshops…

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Not just clowning around

De Castro is a clown. But don't ask her to wear a red nose. And, just for the record, she…

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Bring on the Beckett

You don't have to be an academic to appreciate Samuel Beckett. Dr Anthony Uhlman, the convenor of the Samuel Beckett…

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