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Say less, mean more

Earlier this month the Arts Council of Northern Ireland launched its Public Art Handbook for Northern Ireland but is it…

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Everything old is new again

The world's oldest and most lionised contemporary art show, the Venice Biennale, has delivered a 51st installment of precedent setting…

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Florida Defrocked

Richard Florida's Rise of the Creative Class was published in 2002. Since then, in between speaking engagements, he has written…

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Thinking Big: the conceptual background to strategy, marketing and planning

Arts Hub UK is pleased to bring you a contribution from one of this country's experts on audience development and…

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Charitable Instincts

Increasingly, art and artists are being used as financial tools for charity groups and organizations. Charity art is any art…

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Art for the Market’s Sake?

Even the most idealistic and independent artists in the US must rely more and more on private sources of funding…

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Art in China – the lotus is in bloom

That China will become the next world superpower has been the argument of economists for decades, and few now doubt…

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An Ancient Prejudice: Women Artists and the Struggle for Equality

In 1989, New York feminist collective The Guerrilla Girls dared to ask the question, 'Do women have to be naked…

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Creative Clusters Conference 2005: Unlocking the secrets of a creative economy

The creative and cultural industries are now big business. Sources suggest that, creative industries in the UK are growing twice…

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Is it war on terror or war on the arts?

Last year, Arts Hub UK carried the story of US citizen Steve Kurtz, a Buffalo University Professor of Art, who…

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