Visual Arts
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Carly Findlay on centring disability in our latest podcast
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…
The future for exhibition openings in a digital post-COVID world
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
The 4 Rs: Exploring trauma-responsivity and self-care
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
Rebooting the museum of the moving image
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a…
How to embrace criticism when your ideas are unconventional
Persevering through rejection and criticism are vital for successful artists but they are even more important when your ideas are…
Just say hello! Real-world networking revisited
As we emerge from our COVID-induced hibernation, it’s time to embrace some old-school networking in the real world. Here are…
Patricia Piccinini talks about care and control in her new balloon Skywhalepapa
‘It is more than the objects – it is a culture,’ said Patricia Piccinini, of her Skywhale family, and their…