Visual Arts
Don't ditch the digital
Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says…
First 59 participants announced for the 2022 Biennale of Sydney
Launching the theme of the 23rd Biennale of Sydney, the message was clear: this is an exhibition about sustainability, continuity…
Landing in lockdown: how immigration drives artistic adaptation
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the…
Alarming report results as artist residencies buckle under COVID pressures
A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists…
How to create a Disability and Inclusion Action Plan
Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent…
NFT art: the bizarre world where burning a Banksy can make it more valuable
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
Introducing more diverse arts writers
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…