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Features

Career Profile: Nathan Menglef, artist

Nathan Menglef is a self-taught painter, zinester, illustrator, gutter punk and linux geek, originally from Florida but now living, working…

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Features

Edinburgh: the user's guide to greatest show on earth

Well, it might not be the greatest show on earth, but it is big, takes over the whole city and…

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Features

Going green

This year environmental sustainability has become 'de rigueur' in the arts. What are some of the green initiatives that have…

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Dull, delightful, dazzling: Edinburgh Art Festival

Gordon Haynes takes in three city centre exhibitions as part of the Edinburgh Art Festival and finds them "Dull, delightful…

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Features

Career Profile: Martin Ritchie, actor

Martin Ritchie has performed in a number of titles at London's Globe, alongside various other film and theatre projects, and…

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News

Introducing memetics for the arts

As a young artist, there was something about this thing we call ‘Art’ that didn’t quite compute with Anna Howitt…

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Features

How to catch a shark, part two: Art that dare not speak its maker’s name

In part one of our look at copyright in the art world, we discovered – shock horror – that Damien…

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Features

How to catch a shark, part one: Whose copyright is it anyway?

When Damien Hirst unveiled his diamond-encrusted skull, hands up all those who thought he’d sat up all night sticking the…

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News

Artist interview: Jenny Matthews

"On the first floor of Edinburgh College of Art at the end of a corridor overlooking the Sculpture Court, I…

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Opinions & Analysis

Empty Skulls and Pearly Kings

Moogee gets snarly about skulls, commercialism and the art world.

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