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Come back Karl. All is forgiven.

Once upon a time, in a dark night for capitalism, we used to ask difficult questions of ourselves, our friends…

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Extreme Residency: The Journey Begins

Artist Lisa Anderson lets Arts Hub follow her diary as she prepares for an extreme residency. Icebergs, and more await…

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Features

Make art: for love or money?

"Iggy Pop – who ought, quite frankly, to know a thing or two – gave a recent interview to the…

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Opinions & Analysis

Platform 2: Architecture, the universe & everything

When architecture and engineering merge in perfect harmony the consequence is an iconic building or structure. Engineering can even do…

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Features

Dare to be digital

Ever wanted to be a rock star who fights evil? With your weapon of choice a magical guitar infused with…

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REVIEW: V fest causes festival blues in Staffordshire

It’s hard to imagine that a situation meant to be "entertainment" could be better designed to turn a crowd into…

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USArts takes on the US Government

In June this year the US State Department changed regulations that concern the much sought-after J-1 visa. The department was…

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Features

Career Profile: Maggie Tran, artist

Jesse Errey speaks to Maggie Tran who is a British artist whose work is informed both by her Vietnamese, Chinese…

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Features

Art is money-sexy-social-climbing-fantastic

“Art is sexy! Art is money-sexy! Art is money-sexy-social-climbing-fantastic!” said former director of the Metropolitan Museum of Art, Thomas Hoving.…

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REVIEW: The Enchantment, the National Theatre

David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…

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