Visual Arts
Hats off to Mr Jones
I spent four days in seven at my old job working for the BBC, and one day a week helping…
Traversing the Altermodern: Tate Britain’s 4th Triennial
If Altermodern’s curator, Nicolas Bourriaud, is to be believed, the time for Altermodernism is not now, but everywhen. Starting from…
It’s the Business: creativity in action
Thinking of running a creative business? Need some advice? We talk to two experts in the field.
EVENT PREVIEW: Rankin Live!, Truman Brewery
You can take part in ‘Rankin Live!’in August, during which Rankin will photograph 1000 people to create one of the…
Saved from obscurity: Epstein’s 'Adam' at Harewood House
The blatant and unashamed depiction of primal energy and sexuality attracted much press coverage, shock and outrage when the work…
THEATRE REVIEW: Primary Voices, Quicksilver Theatre
Surreal, funny, entertaining, imaginative - Primary Voices gives its audience an exclusive look into the minds of young Londoners, and…
Platform 10: Unfriendly Fire
Stoddart’s outburst doesn’t parallel the Establishment having a swipe at the upstart refuseniks, because today’s usual suspects are at the…
Cuban contemporary art
Despite the isolation of this controversial island, international curators, collectors and art dealers still fly to Havana to discover promising…
The History of Week Ending
Week Ending was, from its inception in the 70s to its demise in the late 90s, BBC Radio’s flagship topical…
One jig's up, but party rolls on
WHEN Irishman Fergus Linehan arrived in Sydney from Dublin in 2004 as incoming director of the Sydney Festival, he hardly…