Television
Come back Karl. All is forgiven.
Once upon a time, in a dark night for capitalism, we used to ask difficult questions of ourselves, our friends…
REVIEW: V fest causes festival blues in Staffordshire
It’s hard to imagine that a situation meant to be "entertainment" could be better designed to turn a crowd into…
Career Profile: Maggie Tran, artist
Jesse Errey speaks to Maggie Tran who is a British artist whose work is informed both by her Vietnamese, Chinese…
REVIEW: The Enchantment, the National Theatre
David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…
Satisfying compromise
The problem with art is that it costs money to produce. The problem with artists is that they need to…
Career Profile: Nathan Menglef, artist
Nathan Menglef is a self-taught painter, zinester, illustrator, gutter punk and linux geek, originally from Florida but now living, working…
Going green
This year environmental sustainability has become 'de rigueur' in the arts. What are some of the green initiatives that have…
Dull, delightful, dazzling: Edinburgh Art Festival
Gordon Haynes takes in three city centre exhibitions as part of the Edinburgh Art Festival and finds them "Dull, delightful…
Career Profile: Martin Ritchie, actor
Martin Ritchie has performed in a number of titles at London's Globe, alongside various other film and theatre projects, and…
How to catch a shark, part one: Whose copyright is it anyway?
When Damien Hirst unveiled his diamond-encrusted skull, hands up all those who thought he’d sat up all night sticking the…