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A man with dark hair and three-day growth in a white T-shirt is gesticulating.
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Festival review: It’s the Economy, Stupid!, Edinburgh Festival Fringe

Unpacking capitalism and the economy, thanks, in part, to the use of mould and Monopoly.

A brunette man in a white-off-the-shoulder dress is pouring wine into a tiny glass. Ni Ni Madre.
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Festival review: Ni Ni Madre, Edinburgh Festival Fringe

Arturo Luíz Soria channels his feisty Brazilian mother to explore the complexity of love and trauma.

A woman in a light blue dress and silver boots is holding onto a mop. she is sitting on a table, A band is behind her.
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Festival review: June Carter Cash, Edinburgh Festival Fringe

A tribute to June Carter Cash, interwoven with the life story of a devoted fan.

A blonde woman with ski goggles on her head wearing a pink skiing outfit.
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Festival review: I Wish You Well – The Gwyneth Paltrow Ski-Trial Musical, Edinburgh Festival Fringe

A parody musical that takes delight in skewering all things Gwyneth Paltrow.

Two men with fake blood and mud on their faces and clothing and in blue scouts uniform are miming holding up guns.
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Festival review: A Letter to Lyndon B Johnson or God: Whoever Reads This First, Edinburgh Festival Fringe

An absurdist two-hander that moves from childhood games of war to actual battlefields.

Two black women are dancing in front of a a swirly yellow and black backdrop.
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Festival review: Through the Mud, Edinburgh Festival Fringe

Protest theatre about the US Civil Rights Movement that uses original songs and traditional gospel to tell its stories.

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Festival reviews: Drum, Failure Project, Edinburgh Festival Fringe

Two Festival Fringe shows that both delight in their exploration of culture, resilience and community.

A blonde woman is peering over the top of a chair. You can only see her head and upper body.
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Theatre reviews: Did You Mean to Fall Like That, The Daughters Of Róisí­n, Beyond Krapp, Edinburgh Festival Fringe

Three solo acts in The Edinburgh Festival Fringe show a range of styles and subject matter.

A bare-chested man is spot lit. He has tattoos on his chest and a while ruff around his neck. He has white make up on his face. His right arm is raised.
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Theatre review: The Weight of Shadow, Edinburgh Festival Fringe

Physical theatre and dance explore the daily struggles of having anxiety and PTSD.

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Festival reviews: Edinburgh Festival Fringe, various venues

Four very different Australian shows at Edinburgh Festival Fringe impress with their content and direction.

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