Performing Arts
Kontakte: working towards a new language
Andrew McCulloch brings us an essay on a London band, Kontakte, whose music is informed by rave culture and the…
Death of the choir
Ah Wales. Wool covered quadrupeds, coalmines and if you listen to Edmund Blackadder ‘Huge gangs of tough sinewy men roam…
Make art: for love or money?
"Iggy Pop – who ought, quite frankly, to know a thing or two – gave a recent interview to the…
REVIEW: V fest causes festival blues in Staffordshire
It’s hard to imagine that a situation meant to be "entertainment" could be better designed to turn a crowd into…
USArts takes on the US Government
In June this year the US State Department changed regulations that concern the much sought-after J-1 visa. The department was…
Career Profile: Maggie Tran, artist
Jesse Errey speaks to Maggie Tran who is a British artist whose work is informed both by her Vietnamese, Chinese…
REVIEW: The Enchantment, the National Theatre
David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…
Satisfying compromise
The problem with art is that it costs money to produce. The problem with artists is that they need to…
Fèis Gleann Albainn
While the eyes of the world are focused on Scotland’s capital for the annual ‘gallon in a pint pot’ International…
Career Profile: Nathan Menglef, artist
Nathan Menglef is a self-taught painter, zinester, illustrator, gutter punk and linux geek, originally from Florida but now living, working…