Performing Arts
How to create a Disability and Inclusion Action Plan
Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent…
Saxism or Sexism? Gender diversity in the classical saxophone community
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
Introducing more diverse arts writers
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Carly Findlay on centring disability in our latest podcast
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…