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Opinions & Analysis

Funding crisis hits publishing

At first glance the announcement by the Arts Council England (ACE) just before Christmas last year that they intended to…

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REVIEW: La Cage Aux Folles, Menier Chocolate Factory

REVIEW: The musical, La Cage Aux Folles, is based on the French play by Jean Poiret of the same name…

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REVIEW: Can't Pay? Won't Pay! The Oldham Coliseum Theatre

REVIEW: The Oldham Coliseum is one of the North West’s most dynamic Repertory Theatre Companies. This entertaining and thought provoking…

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REVIEW: Happy Now? National Theatre

REVIEW: Happy Now? Is this an instruction? A command? A desire? A plea? The title of Lucinda Coxon’s latest play…

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Features

Career profile: Ted Underwood, poet

Ted Underwood hasn't been writing long, but he has already built up a strong reputation as a performance poet and…

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REVIEW: The Sleeping Beauty, Scottish Ballet

REVIEW: Scottish Ballet’s touring mammoth touring production ends its run at the Eden Court Theatre, Inverness. It is a major…

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REVIEW: The Iceberg, en masse theatre

REVIEW: In the last five years, North West based en masse theatre has won two prestigious Edinburgh Fringe First awards.…

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Opinions & Analysis

Consumer power at the box office

The importance of the first weekend on a films theatrical life-span and general success is overwhelming…

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Features

Hey Mr Producer

What do producers look like? An audience will be instantly familiar with the actor, writer, director, designer, or composer who…

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Opinions & Analysis

Crocodile tears? The Luvvie that cried wolf

Opinionated? Very. Controversial? Certainly. Moogee the Art Dog is back, growling from his corner of the art world about funding.…

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