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THEATRE REVIEW: Every Good Boy Deserves Favour, National Theatre

Mere minutes after the start of Tom Stoppard and Andre Previn’s Every Good Boy Deserves Favour at the National Theatre,…

Features

Poetcasting

You have heard of Podcasting, but have you heard of Poetcasting? Alex Pryce has come up with an inventive way…

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DANCE REVIEW: Les Sept Planches de la Ruse

Exotic in its discipline, this show is an extended and unusual object animation using the brushstrokes of Beijing opera.

Opinions & Analysis

The History of Week Ending

Week Ending was, from its inception in the 70s to its demise in the late 90s, BBC Radio’s flagship topical…

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THEATRE REVIEW: Armature of the Absolute

This is punk theatre at its best. Marseille-based marionette circus Buchinger's Boot is a glorious, gluttonous junkyard of scavenged paraphernalia…

Features

Dev Patel: Slumdog Millionaire

Dev Patel, lead actor in Danny Boyle’s latest film Slumdog Millionaire, talks to Samiat Pedro about landing his dream role,…

Features

Diary of an Actress

Shaking her hair out of its tight bun to further suit the casting breakdown (“Italian bombshell, busty, curvaceous, Sophia Loren…

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News

One jig's up, but party rolls on

WHEN Irishman Fergus Linehan arrived in Sydney from Dublin in 2004 as incoming director of the Sydney Festival, he hardly…

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Features

Coaching for a Creative Life

Arts Hub gives you the latest on coaching and why it could be right for you, your business and the…

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THEATRE REVIEW: August: Osage County, National Theatre

Tracy Letts’ masterpiece comes in at almost 4 hours and it is hard to see how it could be made…

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