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Krapp’s Last Tape

KRAPPS LAST TAPE: Beneath its deceptively superficial exterior the play is the most poignant of Beckett’s oeuvre – full of…

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Departure Lounge The Musical

DEPARTURE LOUNGE: Why do we say gay, what really happened that Thursday evening on a pub crawl night out in…

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Les Misérables: 25th Anniversary

LES MISERABLES: It’s worth the ticket price just to hear Owen Jones sing ‘Bring Him Home; and if you aren’t,…

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Jonas Gallows: The Ear of a Drunkard or Dying Man

THE EAR OF A DRUNKEN MAN: The songs are short, melodic but pared-down, bleak but ultimately hopeful. It’s an intense…

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The Anti Design Festival

THE ANTI DESIGN FESTIVAL: The extroverts – the voice of the people – shout through megaphones that lurch across the…

Opinions & Analysis

The Fuse

THE FUSE: In a new report, the Creative, Digital and Information Technology industries Task Force urges far-reaching changes to ensure…

Opinions & Analysis

Diary of a Resting Thespian

DIARY OF A RESTING THESPIAN PT1: The Old Vic is also distinguished by its management: the charismatic and brilliant Kevin…

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Into The Woods

REGENTS PARK: A musical amalgamation of fairy tale characters in which Red Riding Hood encounters Cinderella, Rapunzel, a witch and…

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Danton’s Death

OLIVIER THEATRE: Toby Stephens is at his imperious best as the swaggering, eponymous hero while Eliot Levey very nearly steals…

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Welcome to Thebes

OLIVIER THEATRE: Moira Buffini’s Welcome to Thebes re-imagines the disastrous aftermath of the fall of Oedipus in a 21st century…

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