Performing Arts
Chris Potter at Ronnie Scott’s
CHRIS POTTER: A musical prodigy who had his first professional jazz gig at the age of 13, he was also…
The Train Driver by Athol Fugard
THE TRAIN DRIVER: There’s a shock, or a twist at the end of the play, which I won’t spoil by…
Macbeth at the Barbican
MACBETH: Song of the Goat seek to conjure a complete theatrical experience by engulfing Shakespeare’s text into ‘the ceaseless flow…
Diary Of A Resting Thespian Pt II – Theatre
HUBBLE BUBBLE: The Royal Court remains on a roll, as I reported recently, and I am drawn to its current…
Fear of Queer
FEAR OF QUEER: It was an ensemble piece where every player performed well and, although this review has only mentioned…
Blasted at the Lyric
BLASTED: has not been performed in London for nearly a decade but with Sean Holmes’ production at the Hammersmith Lyric…
What’s New at The Cornerhouse?
The Cornerhouse: is currently half way through its five-year plan The Art of With, which was conceived in anticipation of…
Blood & Gifts at the National
BLOOD AND GIFTS: The impressive play script is animated magnificently by a stellar cast. The lead is the largely unflappable…
Deathtrap
DEATHTRAP: Rob Howell’s set design is truly terrific. The staggered geometry of the one room in which all the action…
Anthony Sher Breaks Glass at Tricycle
BROKEN GLASS: The ‘political’ in Miller, and all good playwrights, is expressed on the stage through the decisions certain people…