Film
Toxic workplaces feed the impostor phenomenon – here’s why
The impostor phenomenon breeds from a mix of genuine personal doubt over work abilities and the collective experience of a…
The Sydney Opera House is not a billboard – sector speaks out
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement –…
Creative ageing is an urgent and fashionable topic, yet currently unsustainable
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in…
Mastering the interview: Tips from journos
Do you freeze at the thought of doing an interview with the media? Here are a few tips on how…
Feeling the impact of cultural tourism beyond the majors
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual…
Strengthening the status of the artist
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model…
How to care for your queer playwright
If we only focus on developing art that is readily consumable, we risk contributing to a homogenous theatre.
Career Spotlight: Producer, Children’s Theatre
Unlocking a child’s imagination is just the beginning when it comes to creating theatre for young people. ArtsHub asked two…
Ray Chen on breaking down the barriers to classical music
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice…
Cracking the US market: Art Money’s Paul Becker on changing the culture of collecting
An Australian art business takes on the toughest art market in the world – and it’s making waves.