Reviews
REVIEW: I For India, ICA films
While I For India is billed as Sandhya Suri’s first feature length documentary, the reality is that its makers are…
REVIEW: The Hothouse by Harold Pinter, National Theatre
It has been a good year for Harold Pinter: Betrayal sold out at the Donmar and now Britain’s greatest living…
REVIEW: A Short History of Tractors, in the UK rain again
Last weekend Gordon Haynes visited Tractor Fest in Nethy Bridge, part of the annual historical Steam Fair at nearby Boat…
REVIEW: Aberdeen Art Gallery, The Collection
Gordon Haynes reviews the collection at the Aberdeen Art Gallery as a mixed bag - "it’s warm and it’s mostly…
REVIEW: Saint Joan, National Theatre
REVIEW: David Trennery says the National Theatre's production of Saint Joan is "like this year’s Wimbledon... a gruelling 5 setter..."
REVIEW: Mem Morrison, Leftovers, Kingsland Cafe
REVIEW: We’d travelled to Dalston Kingsland in East London to see Leftovers, a play in a cafe, about typical London…
REVIEW: The Last Confession, Theatre Royal, Haymarket
REVIEW: This week the theatre press is buzzing with news from the Theatre Royal, Haymarket, where three productions by the…
REVIEW: Dead Man’s Shoes
As Shane Meadows's latest film This is England makes it to DVD this month Garan Holcombe reflects on another of…
REVIEW: The LSO's innovative Sound Adventures
Meabh Ritchie reviews Sound Adventures from The London Symphony Orchestra and UBS, which is an innovative commissioning project that will…
REVIEW: Claire Harkess at The Plockton Gallery
REVIEW: Gordon Haynes looks at Plockton Gallery's exhibition of work by Claire Harkess, who was born in Ayr, Scotland and…