Reviews
Dull, delightful, dazzling: Edinburgh Art Festival
Gordon Haynes takes in three city centre exhibitions as part of the Edinburgh Art Festival and finds them "Dull, delightful…
Review: The Simpsons Movie
Like the second coming of Christ it would be something of an understatement to say that The Simpsons Movie has…
REVIEW: I For India, ICA films
While I For India is billed as Sandhya Suri’s first feature length documentary, the reality is that its makers are…
REVIEW: The Hothouse by Harold Pinter, National Theatre
It has been a good year for Harold Pinter: Betrayal sold out at the Donmar and now Britain’s greatest living…
REVIEW: A Short History of Tractors, in the UK rain again
Last weekend Gordon Haynes visited Tractor Fest in Nethy Bridge, part of the annual historical Steam Fair at nearby Boat…
REVIEW: Aberdeen Art Gallery, The Collection
Gordon Haynes reviews the collection at the Aberdeen Art Gallery as a mixed bag - "it’s warm and it’s mostly…
REVIEW: Saint Joan, National Theatre
REVIEW: David Trennery says the National Theatre's production of Saint Joan is "like this year’s Wimbledon... a gruelling 5 setter..."
REVIEW: Mem Morrison, Leftovers, Kingsland Cafe
REVIEW: We’d travelled to Dalston Kingsland in East London to see Leftovers, a play in a cafe, about typical London…
REVIEW: The Last Confession, Theatre Royal, Haymarket
REVIEW: This week the theatre press is buzzing with news from the Theatre Royal, Haymarket, where three productions by the…
REVIEW: Dead Man’s Shoes
As Shane Meadows's latest film This is England makes it to DVD this month Garan Holcombe reflects on another of…