Reviews
REVIEW: The Turner Prize A Retrospective
REVIEW: With this year's Turner Prize taking place at Tate Liverpool, Tate Britain reflects on 23 years of the Prize.…
REVIEW: Lady Chatterley
REVIEW: In an era where sex has infiltrated almost every level of culture, through advertising, Internet porn, chat rooms, txt…
REVIEW: About the Jacobites, Bruce Fummey
REVIEW: The son of a Scottish father and Ghanaian mother, Bruce Fummey self-deprecatingly bills himself as the hottest thing on…
REVIEW: Karsten Bott at Norwich Castle Art Gallery
REVIEW: Gordon Haynes reviews Karsten Bott at Norwich Castle Art Gallery.
REVIEW: The National Portrait Gallery
REVIEW: Why don’t you trip along to St Martin’s Place, WC2 and see 600 years of Who’s Who displayed in…
REVIEW: Mile End, Analogue Productions
REVIEW: Meabh Ritchie finds Mile End by Analogue Productions the "most touching and powerful play" she has seen this year.
REVIEW: Blues in the Church
REVIEW: There have already been a couple of concerts in St Kyneburgha's by American gospel singers and musicians but this…
REVIEW: AfterShock, the Sainsbury Centre
REVIEW: Gordon Haynes reviews AfterShock the umbrella title for the Sainsbury Centre’s summer exhibition and events.
REVIEW: V fest causes festival blues in Staffordshire
It’s hard to imagine that a situation meant to be "entertainment" could be better designed to turn a crowd into…
REVIEW: The Enchantment, the National Theatre
David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…