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REVIEW: Ansel Adams, City Art Centre, Edinburgh

REVIEW: Gordon Haynes reviews Ansel Adams: "The artistry shines out and, for their time, they must have been truly ground-breaking".

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REVIEW: Jonah and Otto, The Royal Exchange Theatre

REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…

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REVIEW: Major Barbara, National Theatre

REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…

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REVIEW: Now Then, The Bluecoat, Liverpool

REVIEW: To the non-football fan, Liverpool is synonymous with the Beatles, and the Beatles are synonymous with Yoko Ono. So…

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REVIEW: The Children's Hour, The Royal Exchange Theatre, Manchester

REVIEW: Sarah Frankcom, (a newly appointed Artistic Director at The Royal Exchange Theatre), draws on expressionist techniques to heavily underline…

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REVIEW: The Hour We Knew Nothing of Each Other, National Theatre

REVIEW: If you have absolutely nothing else to do then try watching Eastenders with the sound off. Doesn’t have to…

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Zeitgeist comes to the Science Museum

Ben Rubin and Mark Hansen’s emotive Listening Post takes its place in the galleries of communication.

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REVIEW: From Russia, Royal Academy

REVIEW: The Romanov royal family’s crest was a double-headed eagle looking east and west, a mythical metaphor for an unlikely…

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REVIEW: Alexander Rodchenko, Revolution in Photography, The Hayward

REVIEW: It's about time that we paid homage to Russian artist Alexander Rodchenko. He's been dead for over fifty years…

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REVIEW: Speed the Plow

Written by David Mamet, the play was originally shown on Broadway (featuring Madonna in the secretary role). The three person…

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