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REVIEW: Wildlife Photographer of the Year Award, Natural History Museum, London

REVIEW: The Shell Wildlife Photographer of the Year Award Exhibition is testament both to nature’s beauty and the skill and…

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REVIEW: Testing the Echo, Tricycle Theatre, London

REVIEW: Testing the Echo is one of those plays where you only find out what the title refers to halfway…

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REVIEW: Deutsche Börse Photography Prize, Photographers’ Gallery, London

REVIEW: The Photographers’ Gallery would have to be the perfect Saturday afternoon gallery. Right in the middle of Soho/Covent Garden…

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REVIEW: The Vortex, Apollo Theatre, London

REVIEW: Noel Coward needs no introduction, and Felicity Kendal only needs a tiny one, to make sure you don’t remember…

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REVIEW: Days Of Significance, Tricycle, London

REVIEW: There is no interval and scarcely any break in the searing intensity of the subject matter, language and violence.…

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REVIEW: Ansel Adams, City Art Centre, Edinburgh

REVIEW: Gordon Haynes reviews Ansel Adams: "The artistry shines out and, for their time, they must have been truly ground-breaking".

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REVIEW: Jonah and Otto, The Royal Exchange Theatre

REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…

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REVIEW: Major Barbara, National Theatre

REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…

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REVIEW: Now Then, The Bluecoat, Liverpool

REVIEW: To the non-football fan, Liverpool is synonymous with the Beatles, and the Beatles are synonymous with Yoko Ono. So…

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REVIEW: The Children's Hour, The Royal Exchange Theatre, Manchester

REVIEW: Sarah Frankcom, (a newly appointed Artistic Director at The Royal Exchange Theatre), draws on expressionist techniques to heavily underline…

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