Reviews
FASHION REVIEW: The Forgotten Peacock
Young Greek costumier-scenographer takis strikes a resonant chord with his lavish pitch to reclaim the forgotten peacock in the conformist…
THEATRE REVIEW: The White Devil
Jonathan Munby’s production of Webster’s revenge tragedy is ambitious and effective. Strong characterisations and the relatively small playing area make…
DANCE REVIEW: Lunar Sea, MOMIX at Sadler's Wells
It was a perfect symbiosis of dance, visuals and music through which MOMIX managed to create a magical, ethereal atmosphere…
THEATRE REVIEW: The Walworth Farce
I cannot imagine in-flight entertainment on even the plushest of private planes coming close to Druid’s internationally renowned production of…
THEATRE REVIEW: A Disappearing Number
Much of the complex theory expressed in the play was beyond me and, I suspect, most of the rest of…
DANCE REVIEW: Bangarra Dance Theatre with The Australian Ballet, Rites at Sadler's Wells
Bangarra Dance Theatre is proclaimed to be Australia's most celebrated contemporary dance initiative inspired and informed by indigenous practices. This…
BOOK REVIEW: Wife in the North (Judith O’Reilly)
I like to be upbeat and praising wherever I can, whether it’s art, dance, opera or any form of creativity…
MUSIC REVIEW: Orion Symphony Orchestra
Here is a vital and fresh-faced contender in London's professional orchestral scene. The fledgling Orion Symphony Orchestra is a healthy,…
THEATRE REVIEW: Pinter, National Theatre
A Slight Ache and Landscape, currently a double bill on the Lyttleton stage at the National Theatre
THEATRE REVIEW: Merry Wives of Wndsor, The Globe
The Merry Wives of Windsor is one of those plays you cannot really get wrong. It is the Shakespearian equivalent…