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THEATRE REVIEW: The Walworth Farce

I cannot imagine in-flight entertainment on even the plushest of private planes coming close to Druid’s internationally renowned production of…

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THEATRE REVIEW: A Disappearing Number

Much of the complex theory expressed in the play was beyond me and, I suspect, most of the rest of…

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DANCE REVIEW: Bangarra Dance Theatre with The Australian Ballet, Rites at Sadler's Wells

Bangarra Dance Theatre is proclaimed to be Australia's most celebrated contemporary dance initiative inspired and informed by indigenous practices. This…

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BOOK REVIEW: Wife in the North (Judith O’Reilly)

I like to be upbeat and praising wherever I can, whether it’s art, dance, opera or any form of creativity…

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MUSIC REVIEW: Orion Symphony Orchestra

Here is a vital and fresh-faced contender in London's professional orchestral scene. The fledgling Orion Symphony Orchestra is a healthy,…

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THEATRE REVIEW: Pinter, National Theatre

A Slight Ache and Landscape, currently a double bill on the Lyttleton stage at the National Theatre

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THEATRE REVIEW: Merry Wives of Wndsor, The Globe

The Merry Wives of Windsor is one of those plays you cannot really get wrong. It is the Shakespearian equivalent…

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THEATRE REVIEW: Twelfth Night, The Tricycle

Music is much more than the food of love in Filter’s frenetic Twelfth Night at the Tricycle.

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THEATRE REVIEW: ...some trace of her, National Theatre

...some trace of her, National Theatre until October 21st.

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THEATRE REVIEW: King Lear, Globe Theatre

Dominic Dromgoole’s production of King Lear at the Globe Theatre makes 2008’s August a good ‘un

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