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THEATRE REVIEW: Burnt by the Sun, National Theatre

Chekhov’s name is mentioned in the dialogue and serves to underpin a particularly Russian form of nostalgia that could be…

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VISUAL ARTS REVIEW: Artist Rooms, Scottish National Gallery of Modern Art

Despite the sign there are no paths, only grassed banks and ramps, so this interactive sculpture is only good until…

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VISUAL ARTS REVIEW: Four Scottish Painters, Dean Gallery, Edinburgh

This spring the Dean is showing the works of four Scottish painters: Wilhelmina Barns-Graham, John Bellany, Alan Davie and Anne…

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OPERA REVIEW: Carmen, Royal Albert Hall

The four-act opera unfolded within the brilliantly recreated Iberian settings of Seville and was staged on a round platform that…

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THEATRE REVIEW: England People Very Nice, National Theatre

Richard Bean’s England People Very Nice, directed by Nicholas Hytner at the National Theatre, is intended to reveal the absurdity…

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THEATRE REVIEW: The Taming of the Shrew, Royal Shakespeare Company

The prologue is set in a present day pole-dancing bar and allows Morrison to frame the rest of the action…

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THEATRE REVIEW: Big The Musical, Stage One Theatre Company

The songs in this musical are not tremendously catchy, but they are enjoyable, and Stage One performed them all well,…

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THEATRE REVIEW: Othello, RSC, Hackney Empire

It is clear that a great deal of thought and expense has gone into this production and it starts well…

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CIRCUS REVIEW: Quidam, Cirque du Soleil, Royal Albert Hall

Cirque du Soleil presented a very surreal, intricate, professional and stunning show at the likewise stunning and perfectly transformed Royal…

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OPERA REVIEW: Rigoletto, The Royal Opera

The army of flatterers, sumptuous costumes and consequence free trysts with a bevy of beauties are all very well but…

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