Features
Corporate sponsorship: vanity or sanity?
Disruption is the new mantra. We look at how cultural organisations can use it to accelerate brand alignment with sponsors…
A new way of buying art
An online art broker enables you to source a Picasso print or a Piccinini sculpture without traipsing the galleries.
What the arts can learn from Silicon Valley
While the arts sector faces challenges to secure funding and capture audiences in the digital age, the leading hub for…
The best of the Venice Biennale 2015
If you can't be at the world's biggest art party, you can at least enjoy the vicarious pleasure of knowing…
Shares and likes are changing journalism
Sharing and the mobile generation are defining journalism today, moving the brand to the writer and the curator of content…
Six myths preventing people from experiencing your art form
We all know the excuses people make for not attending arts events, but how should we best respond to them?
Design thinking for social media
Design thinking applies creativity not just to your program but also to the way you do business, especially in online…
Australia’s Venice pavilion: from ‘the dunny’ to ‘the black box’
Australia $7.5 million has opened in Venice to general acclaim and the occasional jeer.
Box Office: the evolving meditation on genre
May 3 2015 ends an empty week for Australian films, and we meditate in the silence.
Beyond pale, male and stale
Quotas? Professional pathways? Clear metrics of success? Arts managers consider a range of options to increase cultural and gender diversity…