Features
What does ‘international’ mean post pandemic for exhibition programming
As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…
Digital is here to stay: how funders can support artists in the post-COVID landscape
With snap lockdowns and hybrid events part of the new normal Dr Jackie Bailey sees an opportunity for the creative…
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Finding a place in the strange new world of NFTs
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…
Don't ditch the digital
Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says…
Landing in lockdown: how immigration drives artistic adaptation
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the…
Alarming report results as artist residencies buckle under COVID pressures
A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists…
NFT art: the bizarre world where burning a Banksy can make it more valuable
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…