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Finding a place in the strange new world of NFTs

Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…

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Don't ditch the digital

Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says…

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Landing in lockdown: how immigration drives artistic adaptation

Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the…

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Alarming report results as artist residencies buckle under COVID pressures

A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists…

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NFT art: the bizarre world where burning a Banksy can make it more valuable

Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.

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Should you care whether you are emerging or not?

Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…

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A catalyst for the Aboriginal art market, Papunya Tula turns 50

Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…

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The magic is back: Harry Potter and the Cursed Child returns to the stage

Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…

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What the pandemic has taught us about disability and what we still have to learn

If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…

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Chinese-speaking students a largely untapped arts audience, says new report

Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…

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