Features
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
The future for exhibition openings in a digital post-COVID world
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
Rebooting the museum of the moving image
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a…
When do you have enough material to start writing your book?
The leap of faith from a shorter work to a full-length book comes with many potential pitfalls including procrastination and…
How to help artists and cultural industries recover from the COVID-19 disaster
Almost a year into the pandemic's impact on the arts, now is the time to look beyond emergency support programs…