Features
Creative career progression in the arts
Why leave an organisation you love if a new role, and a new challenge, can be created for you internally,…
Get on Board: how governance experience can help you and the sector
If you’re interested in joining the board of an arts organisation but not sure where to start, here are some…
What does ‘international’ mean post pandemic for exhibition programming
As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…
Digital is here to stay: how funders can support artists in the post-COVID landscape
With snap lockdowns and hybrid events part of the new normal Dr Jackie Bailey sees an opportunity for the creative…
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Finding a place in the strange new world of NFTs
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…
Don't ditch the digital
Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says…
Landing in lockdown: how immigration drives artistic adaptation
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the…
Alarming report results as artist residencies buckle under COVID pressures
A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists…
NFT art: the bizarre world where burning a Banksy can make it more valuable
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.