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A woman hatches from a a giant egg, with some of the shell worn as a hat. She wears a quizzical expression and holds one hand up to gesture at her egg-hat.
Career Advice

How to make the most of a Fringe festival

Three Fringe festival veterans on why they love Fringe and their advice for newcomers.

Career Advice

How to start and maintain an inspiration board

Starting with what inspires you might be the best way to get your ideas moving from fantasy to reality.

Features

Dancing on Glass: ballet is more than ‘dying swans and madmen’

We love the genre but are ballet dancer’s voices and bodies being authentically represented on our screens?

Career Advice

Do we need more artists on boards?

Slowly, visual arts organisations have been including practicing artists on their boards and councils. What does that look like?

Career Advice

Internships: valuable work experience or glorified volunteering? 

Before you go chasing an internship hoping for on-the-job training, there are many factors to consider.

Features

Ping pong meets puppetry at Birmingham 2022 Festival

First Nations musician DENNI and puppet company Terrapin have created a new take on a national anthem.

Features

Vale Peter Brook, an ever innovative director

Paul Rae explores the enduring but complex legacy of British theatre director Peter Brook, who died on Saturday, aged 97.

Features

Want to be an actor? Jerome Velinsky says ‘don’t wait for the call’

Jerome Velinsky has acted in live-action series, voice video game characters, and written and directed his own series. So what's…

Comedian Rachel Berger looks into the camera. She has wavy brown hair and wears large hoop earings and an orange jacket.
Features

How stand-up comedy is helping cancer patients tell their stories

The therapeutic possibilities of comedy are being explored at the Peter MacCallum Cancer Centre through workshops run by Rachel Berger.

A hand silhouetted against smoke and gum tree leaves.
Features

Some practical steps to truth-telling in museums

Calls for First Nations truth-telling are growing louder in Australian politics. What does that look like within the museum sector?

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