United Kingdom
A Celebration of African Theatre
Exploration of everything African is now penetrating cosmopolitan London, creating a home from home experience on stage for those living…
THEATRE REVIEW: Othello, RSC, Hackney Empire
It is clear that a great deal of thought and expense has gone into this production and it starts well…
Traversing the Altermodern: Tate Britain’s 4th Triennial
If Altermodern’s curator, Nicolas Bourriaud, is to be believed, the time for Altermodernism is not now, but everywhen. Starting from…
It’s the Business: creativity in action
Thinking of running a creative business? Need some advice? We talk to two experts in the field.
CIRCUS REVIEW: Quidam, Cirque du Soleil, Royal Albert Hall
Cirque du Soleil presented a very surreal, intricate, professional and stunning show at the likewise stunning and perfectly transformed Royal…
EVENT PREVIEW: Rankin Live!, Truman Brewery
You can take part in ‘Rankin Live!’in August, during which Rankin will photograph 1000 people to create one of the…
OPERA REVIEW: Rigoletto, The Royal Opera
The army of flatterers, sumptuous costumes and consequence free trysts with a bevy of beauties are all very well but…
THEATRE REVIEW: Shun-kin, Complicite at Barbican
'Shun-Kin', Simon McBurney’s latest show for Complicite at the Barbican, is the Japanese story of servant Sasuke’s masochistic love for…
THEATRE REVIEW: Mrs Affleck, National Theatre
If Ibsen is for all time then it seems an odd decision to plonk him so precisely in one historical…
Saved from obscurity: Epstein’s 'Adam' at Harewood House
The blatant and unashamed depiction of primal energy and sexuality attracted much press coverage, shock and outrage when the work…