United Kingdom
THEATRE REVIEW - Much Ado, Open Air Theatre Regents Park
Wilful misinterpretation and misunderstanding are key to plot and humour in Shakespeare’s much-loved comedy and both are well-handled in Tim…
THEATRE REVIEW - Lulu, Royal Opera House
Berg’s Lulu has a pretty eventful career with her three husbands, lesbian lover, menagerie of murderous admirers and eventual violent…
THEATRE REVIEW - As you like it, RSC
'As You Like It' is a bit like the 'What You Will' bit of Twelfth Night: a winsome frothy title…
THEATRE REVIEW - Romeo and Juliet, The Globe
Romeo and Juliet is one of Shakespeare’s good plays: sex and violence, comedy and tragedy. What else could you want?…
THEATRE REVIEW - Time and the Conways, National Theatre
Human cloning has long been a reality. For evidence of this remarkable achievement; scientists need look no further than the…
THEATRE REVIEW - The Frontline, The Globe
What you see when you see this production – and you really should – will depend upon the whereabouts of…
THEATRE REVIEW: Panic by Improbable, Pit Theatre, Barbican
You’d think it would be cool to be a God: Rock God, Love God, Sex God and even Domestic Goddess…
PHOTOGRAPHY REVIEW: Unordinary People - Royal Albert Hall
“A celebration of today’s multicultural, multi-class and multi-ageist British youth" - it manages to make one want to have been…
OPERA REVIEW: Il trovatore, Royal Opera House
There was a great deal to cheer over: conductor Carlo Rizzi and Dmitri Hvorstovsky as villain Count di Luna both…
THEATRE REVIEW: Death and the Kings Horseman, National Theatre
Director Rufus Norris spent considerable time rehearsing in Oyo and he and choreographer Javier DeFrutos make full use of Yoruba…