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When No One Is Watching

WHEN NO ONE IS WATCHING: This company shows that there is just as much to glean from the making of…

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Blood & Gifts at the National

BLOOD AND GIFTS: The impressive play script is animated magnificently by a stellar cast. The lead is the largely unflappable…

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John Kelly: PROBE

PROBE: The sculptures are frequently elevated above us, so that we become almost childlike, gazing up to appraise them, while…

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Deathtrap

DEATHTRAP: Rob Howell’s set design is truly terrific. The staggered geometry of the one room in which all the action…

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Sunday Art Fair

SUNDAY: Descending into an industrial alley to find the concrete refuge feels raw and arguably more interesting than the more…

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Anthony Sher Breaks Glass at Tricycle

BROKEN GLASS: The ‘political’ in Miller, and all good playwrights, is expressed on the stage through the decisions certain people…

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Krapp’s Last Tape

KRAPPS LAST TAPE: Beneath its deceptively superficial exterior the play is the most poignant of Beckett’s oeuvre – full of…

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Mark Ronson on Tour

MARK RONSON: The set started with a catchy but alien instrumental track, “Circuit Breaker”, typifying Ronson’s new sound. Old favourites…

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Black History Month

BLACK HISTORY MONTH: These exhibitions focus on the stories of individuals, which is incredibly moving, as we get a glimpse…

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Bed-in at The Bluecoat

BED-IN: "To expose the scandal of global poverty, and human rights injustices though the power of craft and public art.…

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