Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

Features

Oops! Biennale works that went off the rails

Unpredictable artists and inflexible bureaucrats force curators to be flexible in the face of failure.

News

Theft and forgery from Whiteley to Warhol

While fraud is caught on camera in Victoria, Warhol walks off the wall in Missouri and an online watchdog tracks…

Features

Turning your digital data into dollars

Move over crowdfunding. Emma Dunch tells us how to utilise our digital engagement to drive fundraising.

Features

Decorative arts revived in disposable age

In a world of short trends and consumer churn, the renewed interest in decorative arts presents a counter-movement.

News

How the art market's million dollar distortion affects you

The global art market rises and falls on multi-million dollar works but 90% of artworks sell for less than $50,000.

Opinions & Analysis

Global art market declines as China pulls plug

The US market is booming with the highest ever level of sales but China's decline has punctured the global art…

Features

Etsy or regretsy?

E-commerce is an attractive option to artists but there are also risks attached to hitching a fine art career to…

Features

Adelaide gets a new private museum

Who was David Roche, and why do we know so little of his world-class collection until now? His private museum…

News

Can one artist own the rights to black?

Artist Anish Kapoor has been granted the exclusive rights to the "blackest" of black paint-like surface, while an exhibition by…

Features

Do you believe in magic?

The 2016 Adelaide Biennial will convert the most cynical non-believer that object-based materiality commands the museum and contemporary curatorial concerns.

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