Visual Arts
Saved from obscurity: Epstein’s 'Adam' at Harewood House
The blatant and unashamed depiction of primal energy and sexuality attracted much press coverage, shock and outrage when the work…
THEATRE REVIEW: Primary Voices, Quicksilver Theatre
Surreal, funny, entertaining, imaginative - Primary Voices gives its audience an exclusive look into the minds of young Londoners, and…
Platform 10: Unfriendly Fire
Stoddart’s outburst doesn’t parallel the Establishment having a swipe at the upstart refuseniks, because today’s usual suspects are at the…
Cuban contemporary art
Despite the isolation of this controversial island, international curators, collectors and art dealers still fly to Havana to discover promising…
The History of Week Ending
Week Ending was, from its inception in the 70s to its demise in the late 90s, BBC Radio’s flagship topical…
One jig's up, but party rolls on
WHEN Irishman Fergus Linehan arrived in Sydney from Dublin in 2004 as incoming director of the Sydney Festival, he hardly…
Coaching for a Creative Life
Arts Hub gives you the latest on coaching and why it could be right for you, your business and the…
MUSIC REVIEW: Simon Rattle, Orchestra of the Age of Enlightenment
It may seem a conflict of interests to denote historically authentic performance as groundbreaking and openminded, until you've been spun…
Freedom to Freelance: creative independence
In the creative industries, freelancing is far from rare, but before you take that first step, there’s a whole host…
Christmas Exhibitions in the Highlands
I go to three churches before Christmas and they’re all within a few miles of each other, which is most…