Performing Arts
How to design a cultural experience kids will love
With school holidays approaching, parents are looking for activities that both entertain and educate their children. So how do you…
What I do as a sensitivity reader
Whether I’m a sensitivity reader, a dramaturge, or a plain old editor, I’m looking at how your text might be…
Admin/Villains, Dublin Fringe (Ireland)
A one-man show about loneliness, longing, and social media-enhanced isolation, and a dance theatre piece exploring call-out culture through a…
The burden of responsibility as an activist
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure…
Bringing the world home
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
Capturing dance’s disappearing act
Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the…
Review: Britten’s Peter Grimes in Concert, Sydney Symphony Orchestra (NSW)
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Know before you go: how to tour abroad
ArtsHub talks to Polyglot Theatre and independent producers Nithya Nagarajan and Moira Finucane about the art and politics of touring.
The first rule of theatre criticism
Fight director, actor, critic and dramaturge Dr Danielle Rosvally starts all her theatre students off with one simple lesson which…
Partnering up to communicate the arts
Relationship building was an important part of the agenda for Alex Raupach when he attended the Communicating the Arts Conference.