Performing Arts
Telling stories: Pamela Marre
Storyteller Pamela Marre has always been surrounded by her Jewish family stories and began working with them in experimental theatre…
Ying String Quartet in Tod Machover’s '…but not simpler…'
The spring concert season has brought two intriguing examples of enterprising ensembles intent on exploding these preset expectations and inviting…
REVIEW: Gaslight, The Old Vic
REVIEW: "It is a rare pleasure to see a good story well told," says David Trennery about the Old Vic's…
Does this man have the best job in the arts world?
As the Manchester International Festival gets set to change the face of the arts with two weeks of world premieres…
Below the belt
The Government's proposed changes to work permit legislation could be the final nail in the coffin of goodwill between artists…
A level playing field
"There were 16 contestants in my heat at last night’s competition, some of them confirmed peoples’ worst fears of what…
Make a Play: Colin Ford CBE on how to be influential in the arts
Colin Ford is a prominent figure in the UK’s art world. With a long career behind him and a CBE…
A reason for gratitude and hope
Everett Quinton, star alumnus and artistic director of the Ridiculous Theatrical Company, shares stories from his early days as an…
Artist's Voice: Domenic Salerni
ARTS HUB US: As a nineteen-year-old violinist enrolled in conservatory, I am over the hill by soloist standards — there…
REVIEW: The Lord of the Rings, musical, at the Theatre Royal
David Trennery thinks that The Lord of the Rings, the musical, at the Theatre Royal, Drury Lane is a lot…