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Horse and art take the high road

From mid-September, art sets off on Shanks’s pony – well, almost – when a new exhibition featuring a skewbald horse…

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Get in Shape – and help other theatre lovers leap the ticket barrier

Award-winning organisation Shape is calling for car-owning, theatre loving volunteers to accompany deaf and disabled theatregoers to West End shows…

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REVIEW: Mile End, Analogue Productions

REVIEW: Meabh Ritchie finds Mile End by Analogue Productions the "most touching and powerful play" she has seen this year.

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Features

Les Rencontres d’Arles, Photography Festival in Arles, France: Part II

On Monday we ran Part I of Joel Simpson's review of Les Rencontres d’Arles, a huge lovesong to the art…

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News

Podcasting – not a town in Dorset, but a new way of learning

The appropriately named eLearning Group for Museums, Libraries and Archives (ELG) is to host a seminar at London’s Tate Britain…

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REVIEW: Blues in the Church

REVIEW: There have already been a couple of concerts in St Kyneburgha's by American gospel singers and musicians but this…

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Features

Les Rencontres d’Arles, Photography Festival in Arles, France: Part I

In part one of his feature from photographer's paradise, Joel Simpson reports on Les Rencontres d’Arles, Photography Festival in Arles,…

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Opinions & Analysis

Come back Karl. All is forgiven.

Once upon a time, in a dark night for capitalism, we used to ask difficult questions of ourselves, our friends…

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News

Kontakte: working towards a new language

Andrew McCulloch brings us an essay on a London band, Kontakte, whose music is informed by rave culture and the…

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Features

Death of the choir

Ah Wales. Wool covered quadrupeds, coalmines and if you listen to Edmund Blackadder ‘Huge gangs of tough sinewy men roam…

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