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Career Profile: Maggie Tran, artist

Jesse Errey speaks to Maggie Tran who is a British artist whose work is informed both by her Vietnamese, Chinese…

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REVIEW: The Enchantment, the National Theatre

David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…

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Satisfying compromise

The problem with art is that it costs money to produce. The problem with artists is that they need to…

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Fèis Gleann Albainn

While the eyes of the world are focused on Scotland’s capital for the annual ‘gallon in a pint pot’ International…

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Career Profile: Nathan Menglef, artist

Nathan Menglef is a self-taught painter, zinester, illustrator, gutter punk and linux geek, originally from Florida but now living, working…

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Triumph at the Traverse

Billed as “Scotland’s new writing theatre” the Traverse plays host to the upper end of the Edinburgh Fringe’s theatrical offerings…

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Edinburgh: the user's guide to greatest show on earth

Well, it might not be the greatest show on earth, but it is big, takes over the whole city and…

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Edinburgh: week one

Pippa Bailey, Director of Total Theatre, talks about her first week at Edinburgh Festival Fringe and suggests some shows to…

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London to Edinburgh via Frankfurt: one performer's story

"While I have come to expect reactionary reviews from mainstream critics, because there is a genuine problem in the standard…

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The God dilemma: which show do I go to?

When everything you want to see at the Fringe is sold out, and God is the biggest news in theatre,…

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